On April 27, 1951, the 20th edition of the popular weekly radio news program “Hear it Now” was heard on the CBS radio network and 173 affiliated radio stations. It was described as a “document for ear, based on the week’s news and the men and women who made it. All the voices and sounds you will hear are real and are presented as they were recorded in the heat and confusion of the world in crisis.”
The program’s narrator was famed reporter and news analyst Edward R. Murrow (1908 - 1965). The news program began with the latest update of military action in Korea. The program used actual recordings of persons in the news. The first segment began with news about the war in Korea. Then Murrow introduced the segment about Radio Free Europe:
Murrow: In Europe, a group of cold, hungry people continue to fight back in the Cold War, where final victory is as important as it is in Korea. Katalin Karady is a Hungarian motion picture star, a capable actress with an unusual singing voice. Six weeks ago, like most citizens of Budapest, she turned on her radio and heard this; (in Hungarian) “It is the Voice of Free Hungary” Radio Free Europe.
Murrow: This is Radio Free Europe: an independent propaganda weapon started by private citizens and operated by privately subscribed funds. One of Radio Free Europe’s most important functions is to tell those behind the Iron Curtain how they can escape. Miss Karady and other citizens with a radio, and the courage to tune us in, hear broadcasts like this one: (follows with detailed instructions in Hungarian accented English on how to get across the Iron Curtain.)
Murrow: Several weeks ago, Katalin Karady crossed the Hungarian border and was welcomed by Allied friends in Vienna. Now Radio Free Europe has another new star and another new weapon.
RFE Announcer (with Hungarian accent): Miss Karady got across the border safely. You can too, if you are careful. Here is Katalin Karady to sing for you (Katalin Karady sings).
Here is the broadcast, which includes RFE announcers speaking in Hungarian and English (giving instructions on how to cross the Iron Curtain) and an excerpt from a song by Katalin Karady:
A report about the meat shortage in Great Britain with the voice of Winston Churchill followed.
As we have seen in previous blog posts, the true sponsorship of Radio Free Europe was CIA and not "operated by privately subscribed funds" as Murrow stated. Also, Radio Free Europe did not broadcast in English, so the "news" about Katalin Karady was meant for the United States audience only. RFE was prohibited from propaganda activities in the US. One could easily make the case that this was domestic propaganda and not news.
The Free Europe Committee established a Committee on Press and Broadcasting in June 1949, Edward R. Murrow was one of the members of the advisory group of respected American journalists. On September 3, 1951, Murrow narrated the program that started the first Crusade for Freedom radio broadcast that featured future U.S. President Dwight D. Eisenhower.
From 1961 to 1964, Murrow was Director of the U.S. Information Agency, which oversaw the Voice of America. He died on April 27, 1965, at age 57.
A report about the meat shortage in Great Britain with the voice of Winston Churchill followed.
As we have seen in previous blog posts, the true sponsorship of Radio Free Europe was CIA and not "operated by privately subscribed funds" as Murrow stated. Also, Radio Free Europe did not broadcast in English, so the "news" about Katalin Karady was meant for the United States audience only. RFE was prohibited from propaganda activities in the US. One could easily make the case that this was domestic propaganda and not news.The Free Europe Committee established a Committee on Press and Broadcasting in June 1949, Edward R. Murrow was one of the members of the advisory group of respected American journalists. On September 3, 1951, Murrow narrated the program that started the first Crusade for Freedom radio broadcast that featured future U.S. President Dwight D. Eisenhower.
From 1961 to 1964, Murrow was Director of the U.S. Information Agency, which oversaw the Voice of America. He died on April 27, 1965, at age 57.
Who was Katalin Karady?
Katalin (Catherina) (nee Kanczler) Karady, born December 8, 1910, was a well-known film actress and singer in Hungary before World War Two – appearing in over 20 films and on stage. She enjoyed a glamorous life in Budapest as an entertainment star. Reportedly the German Gestapo in April 1944 accused her of spying, arrested, imprisoned, and tortured her for 3 months in 1944. After the war ended and the Communist Party controlled Hungary, she was prevented from appearing in films. In 1949, all her films were banned and she was prevented from appeared on stage. She finally escaped Hungary on February 20, 1951, by crossing the border into Austria.
Newspapers in the United States and elsewhere in the world reported on the Katalin Karady escape story, including these articles that appeared March 22, 1951:
SAFE IN THE U. S. ZONE Of AUSTRIA, after fleeing over the border from behind the Iron Curtain, Katalin Karady, known as "the Hungarian Rita Hayworth," and singer Oliver Lantos, smile happily upon reaching Salzburg. They traveled on foot for 40 miles, often risking their lives, to escape the Communist propaganda “hogwash" that is strangling all of the arts and everyday life" in their native land.
FREEDOM IS."WONDERBAR"— The clean, pure air of freedom outside the Iron Curtain has wrought a miracle in Katalin Karady and Oliver Lantos, who show none of the effects of their ordeal as they pose here in front of an Austrian castle in the Allied zone of Austria after their flight from Hungary. They walked and crawled more than 40 miles, over mine fields and through barbed wire, braving machine guns and bloodhounds to find the chink in the Iron Curtain that was their gateway to freedom.
In another article, Katalin Karady explained why she escaped Hungary:
Katalin Karady, the Hungarian Rita Hayworth, said today she had fled through the Iron Curtain because "life became unbearable for me anymore in Hungary," The green-eyed, red-haired actress made her successful escape from Hungary Into Austria last Tuesday. After several days rest she was ready to talk of life in her native land.
Her adventurous trip took her from Budapest through minefields, barbed wire and the Soviet Zone of Austria to safety of the American zone of this country. She told reporters the "entire cultural life and activity in Hungary is controlled by the communist party. Artists who are not members of the party have hardly any channel under the present circumstances to get a leading role on the stage or in the movies," she continued. "I, myself, belonging to the large number of persons who are constantly under police supervision, was only once given a minor part in a silent movie since the end of the war. Besides postal censorship and other restrictions imposed on me, all my stage contracts had to be approved first by the ministry of education."
In pre-war times, Katalin Karady was the stage ideal of the Hungarian public. In the last few years, she had been able to find employment only as a radio singer and in floorshows. Even then, she said, "All my songs and the manuscripts of my recitals had to be approved first by the censorship department." Miss Karady’s chance to escape came when she was offered an engagement in a town close to the Austrian border. With her maid and Oliver Lantos, a noted Hungarian radio singer, she left Budapest Feb. 20 for her scheduled appearance and then made a night-time dash across the border Into Austria
In another article she said, "Those who are as completely fed up as were Oliver Lantos and I—and have about $1,000 each to hire a guide to smuggle them through minefields and barbed-wire barricades—flee to the west." There is another version of how she escaped: she rode across the border in a car driven by one Zoltan Vas and bribed a Russian border guard.
Katalin Karady was not allowed to immigrate to the United States on questionable grounds but first traveled to Switzerland, Belgium, and eventually moved to Brazil in 1953. Her films were banned in Hungary until 1978.
Interestingly, in August 1961, President John F. Kennedy’s brothers, U.S. Attorney General Robert F. Kennedy and U.S. Senator Ted Kennedy unsuccessfully appealed to the U.S. State Department to issue her a visa. The FBI investigated Katalin Karady on various occasions and in an internal memorandum in March 1963, there is this comment: “Subject, Hungarian born, aged 48, is former well-known actress in Hungary. Numerous allegations have been received in the past indicating subject to have been a communist collaborator […] Subject ‘escaped’ from Hungary in 1951 under unusual circumstances.”
She remained in Brazil until 1968, when she finally immigrated to the United States. She settled in New York and died there on February 8, 1990. Her ashes were brought back to Hungary. There was a memorial service at the St. Stephen’s Basilica and she was buried in the ‘artists’ plot” in Farkarseti cemetery in Budapest.
In March 2004, Katalin Karady was awarded a posthumous award as “Righteous Among the Nations” from the Yad Vashem World Holocaust Remembrance Center in Israel in recognition of her “courageous acts” during World War Two. Among them was,
In the winter of 1944, during the Arrow Cross reign of terror, Katalin Karády saved a group of about 20 Jewish children from being murdered on the bank of the Danube. She bribed the Arrow Cross men guarding the children and took the children to her own villa in the neighborhood called Városmajor. She hid them in the cellar and provided them with food. After the capital was liberated, Karády searched for the surviving relatives of the children so that she could reunite them.
For more information in English, visit the Wikipedia Katalin Karady entry.
For an excellent, well-researched article, see David Frey, "Marta Hari or the Body of the Nation? Interpretations of Katalin Karady," Hungarian Studies Review, Vol. XLI, Nos. 1-2 (2014) http://epa.oszk.hu/00000/00010/00049/pdf/EPA00010_hsr_2014_089-106.pdf
For an excellent, well-researched article, see David Frey, "Marta Hari or the Body of the Nation? Interpretations of Katalin Karady," Hungarian Studies Review, Vol. XLI, Nos. 1-2 (2014) http://epa.oszk.hu/00000/00010/00049/pdf/EPA00010_hsr_2014_089-106.pdf













